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Okay, Okay I Wrote the Book

One of the reasons this thing is sub-titled ... “Excerpts from the long awaited book that Chuck Blore has almost finished writing.”... is that, I often take detours.  This is going to be one of those left turns.  It has little to do with the book.  It’s a quick journey that radio people might find interesting, and it may even awaken a few things which need  waking, or shaking up.

It begins with a memo, a copy of which was sent to me by a very close friend.  Her name is Sandra Woodruff, herself a graduate of the KFWB school of broadcasting.  Sandra now owns a brand new radio station in Seattle. Here’s what she wrote to the on-air people.

Okay Super team...

Thank you for your support of the whole NEW SUPER CFL idea.

BUT...

Enough with the station promos. Some of us are going overboard with the CFL promotion, at the expense of being entertaining.

Quick quiz.  How often do YOU tune into a radio station hoping to hear a station promotion?

Yeah, me too.

So let's get back to what we're here for;  to provide fascinating information and entertainment to a radio audience that isn't getting much of it anywhere else.

I keep hearing promotional stuff in segments where you could be doing the fascinating ‘personality breaks,’ that are the whole idea of Super CFL.

PLEASE! By doing that, we're slowly circling into the black pit of what most commercial radio has become, and I don't like the smell of that. I know you have interesting things to share with your listeners, because I was hearing a lot of it a couple weeks ago.  Somehow it seems like we're getting lazy. Maybe because it's summer, I dunno. But we have to keep that edge or we just turn into mush.

Keep it interesting and we will have a great radio station.

We ARE good enough to be a major player in our coverage area, which just happens to be Seattle and Bellevue. I can't think of a better place to have a  radio station! And we have one. So keep it interesting.

And while I'm ranting, I want to hear more one-on-one.  This is going to sound like Radio 101 stuff, but I'm doing it because I've heard every one, including ME, talking to the MILLIONS, instead of one-on-one.  And, calling them "folks" isn't making it one-on-one.  It's more like a homey version of talking to the millions.  So come on, make an effort to talk to one person.

Imagine you're talking directly to someone you like a lot.  Say what you have to say, the way you'd say it to somebody you respect. Visualize yourself in the front seat of the car alone with that listener, which you actually are.  Tell that person stuff that’s interesting.  Tell it to them , one-on-one, like you’re talking to your best friend.  But, whatever you say, mean it!  Never feign interest in something you don’t really care about.

Remember, this is one of the few times nobody is going to interrupt you. So go ahead, knock 'em dead.

I told Sandra it sounded like something I might have written to the Color Radio jocks all those years ago.  Some things, like great truths, never change.     

All of this sent me back to rummaging through some of the memos I’ve written as a station consultant.  As long as we’re in this “stuff radio people might find interesting,” mode, here are a few excerpts which are not far from what Sandra was suggesting.  This particular thing was directed to a News-Talk station, but most of these basic thoughts relate to radio generally

KXXX ... it’s everything that matters

Southern California is an uncommon place full of uncommon people.  

KXXX can become the uncommon station these people turn to, not only to discover what in their world is going on, but also, how and why it matters to them. 

It is not specifically news, and/or the presentation of relevant information, and why it matters, which is going to make KXXX uncommon.  It is also, and this is a word rarely used in connection with news or talk stations, it is also ... entertainment. 

It’s something that makes you (the audience) nod your head and say,”Yeah, I agree with that.” 

It’s a human interest story which makes you smile, or makes you sad, or makes you think, or makes you mad.    

It’s that unusual piece of information which you hadn’t heard before.   

It’s something that you didn’t know but didn’t know you didn’t know.  

It’s an amusing, unique, peculiar, fascinating way of looking at life.   

Any and all of these things are  interesting to people.   And that, to a lesser or greater degree, makes them relevant to  life. That, by this definition, is ... entertainment.                                                                                                            

Simply put, every thing which goes on the air must earn it’s right to be there.  It earns that right by being interesting to the listener, being of some consequence to them, something that matters, something that is relevant.  Or, as defined here, something that is entertaining. 

KXXX, It’s everything that matters  

What matters most is our audience and our respect for them.  They must be pretty bright, after all they did choose you to listen to. 

Air time is precious.  Every reporter, every writer, every producer, every time, must ask him/herself that question:  Does what I’m about to include in this broadcast matter to the audience?  Does it earn it’s right to be there?   

If it doesn’t contribute to the goal, throw it out.  If it doesn’t contribute to the goal, it doesn’t matter.  

Thanks again, Sandra, for making me think about that stuff.


Visit Chuck at the Chuck Blore Company, online at www.chuckblore.com and send him an e-mail at bloregroup@aol.com


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