www.chuckblore.com
Okay, Okay I Wrote the Book
As the Crowell-Collier
broadcast empire got larger and larger, the time I spent programming
radio stations got smaller and smaller. I had been able to hire three
very good PDs and I had the big-deal title of, VP of Programming. That
meant listening to air-checks sent to me by those very good PDs and
sending them memos about the wonderfulness of their station. Their
station, not mine. That’s when radio stopped being fun and started being
... business. I kept telling my good friend and boss, Bob Purcell,
(President of Crowell-Collier’s broadcast division) that this was not
what I wanted to do. I tried to convince him that I could be far more
valuable by programming KFWB on a day to day basis and let KE and KDWB
just replicate what we were doing in L.A. But, we had created three
highly profitable stations and, naturally, Crowell-Collier wanted more.
So did Mr. Purcell, and he wanted me right there with him. It wasn’t
long before he had ‘purchase agreements’ with stations in Washington DC
and New York City. And, because this was the Big Apple we were about to
bite into, Purcell thought it would be wise if he and I stayed in New
York for a few weeks and really get to know the market.
I remember checking into The Navarro Apartments, right across the street
from Central Park. It was a fabulous place and as the concierge handed
me the key to where I would be living for awhile, he told me that up
until the night before, Vivian Leigh had been staying in that very
apartment. I remember saying, “Oh wow! You didn’t change the sheets did
you?” He thought that was funny and assured me the sheets had been
changed (drat!). He confessed, however, that they had found a photograph
of the lovely Vivian after she had checked out. She apparently had begun
to autograph it for someone and had changed her mind. Written on the
photograph was, something like, “I hope you’ll keep this close, you mean
so much to me.” The concierge asked if I’d like to have it. Yes. For the
six weeks I lived in New York I slept with Vivian Leigh every night. At
least, when I looked at the pillow next to me, it was her face I saw. I
kept it close because ... I meant so much to her.
It wasn’t long before word got out that we were in town and we were
buying WMGM. I’m not quite sure how or why but Purcell and I started
spending time at the station. Bad move! Suddenly everything went nuts.
Crowell-Collier was notified by the FCC that our purchase agreement was
being rescinded because Crowell-Collier management people were occupying
the station before The Commission had approved the sale. That was
devastating. What happened next was worse.
Newton Minnow, the FCC Chairman who described broadcasting in America as
“A vast wasteland.” was suddenly aware of Crowell Collier Broadcasting.
The Washington DC application was also turned down because “No one
company should be allowed to have a potential audience of more than 33%
of the country.” That wasn’t the exact language I’m sure, but that was
the reason given for not approving the sale. Commissioner Minnow’s new
found interest in Crowell-Collier was also the reason it was determined
that maybe three stations were enough.
When Crowell-Collier had decided they were going to build a broadcast
empire, Mr. Purcell and I were told to make the stations autonomous so
that we, Purcell and me, could pay attention to empire building. Problem
with that was, now that the empire was limited to what it was yesterday,
and yesterday was pretty much running itself, we ‘empire builders’ had
very little to do today. And as far as I could see, there was no
tomorrow.
The people at Crowell-Collier were actually very kind. They told Purcell
and me they had been thinking about starting an Audio-Visual division
and they’d like us develop it. Bob and I were ‘promoted’ to the
President and VP of Crowell Collier Audio Visual. I think that was about
the unhappiest I had ever been. In a matter of what seemed like no time
at all, I had gone from being ‘the golden boy of radio’ to trying to
learn how to produce educational arithmetic slide strips. (Don’t ask.)
I gave my notice to Crowell-Collier and was reminded that I had an 18
month non-competition clause in my contract. What that meant was, as
long as they continued to pay me, I could not work for any other
broadcast company. They apparently thought I might end up working for
the competition and for 18 months at least, they could keep that from
happening. I became a well paid bum.
I built a little office behind my garage at home and day after day I
would sit and listen to what ‘they’ were doing to my radio station. One
thing was very obvious. You could hear the programming department bowing
down to sales. I spent a lot of that time crying. My baby was dying.
After a couple of months of this, I couldn’t stand it anymore. I turned
the radio off. Not just KFWB, I turned the radio off for over a year.
I found a lot of things to do. I took up golf and became addicted. I
drew a comic strip, “Captain Glutz Of The Space Command.” Cap’n Glutz
and his electric girl friend saved the world from the dreaded Space
Finks. And, I wrote a musical comedy called, “Good Luck General.” It was
about General Custer and a traveling brothel. My Custer was an
egomaniacal genius who introduced himself to the troops singing ...
I COULD WEAR MY MANY MEDALS,
YOU COULD GAZE UPON THEM BOYS
BUT THEY TEND TO WEIGH ME DOWN
BESIDES, I NEVER COULD STAND THE NOISE.
IF I HAD MORE HAIR UPON MY CHEST
YOU’D THINK I WAS A TREE
NOW, C’MON BOYS, DON’T BE BASHFUL
LET’S HEAR IT ONCE ... FOR ME.
Well, at least it passed the time. About three months into which, one of
the KFWB salesmen stopped by my garage. “Chuck,” he said, “You gotta
help me. I’m about to lose the Rambler account” (Talk about putting
something in it’s time frame.)
“What’s the matter, Paul.” I asked with feigned concern. I really cared
zero about what was going on at that radio station.
“The spots aren’t working like they used to. I need you to cook up a
promotion for me.” Paul pleaded, “Something that’ll get people into the
Rambler Dealers.”
“What do you want to do? Give away balloons?” I snorted, “What you need
is a good commercial. The commercials on your station are either stupid
or just plain bad. That’s probably what’s chasing your audience away.”
“Okay.” said Paul, “Make me a good one.”
“I don’t know how to make a commercial,” I said.
“Or sure you do.” Paul continued his pleading tone. “Just make one like
some of the stuff you used to do on the air. How about ‘My Mommie drives
a Rambler?”
Well, at least it would give me something to do. I told him I’d try. But
I wouldn’t do it for nothing. “How much?” he said.
I had no idea how much, but I figured I might as well shoot for the
moon. “Five hundred dollars.”
“Okay.” Said Paul. He called the agency. “Yeah, he said he’d do it, and
because we’re such good friends he’s gonna do it for only five hundred
bucks.” Done deal.
A group called The Playmates had had a Number One song a couple of
months before I left the station. Beep Beep. It was about a Rambler. A
little Rambler racing and beating a Cadillac. I called the publisher. I
could tell by the greeting I got that he had no idea I was no longer at
the station. “You wanna use Beep Beep for a commercial? Sure Chuck, no
problem.”
I changed the lyric to Creep, Creep. It was about a guy who didn’t have
sense enough to have a Rambler and all the girls called him ... Creep
Creep.
I called Johnny Mann and asked if he could put a group together that
sounded like The Playmates. As I knew he would, he shouted with glee,
“Oh yeah! Absolutely” Then, “Uh ... who are The Playmates?” In less than
a week, we were in the studio, and Johnny, as usual delivered big time.
It was great. Lots of fun too.
A couple of months went by, and because I had sworn off radio, I never
heard the spot. The phone rang one morning and I was told that my little
commercial had won first place in The Advertising Association of The
West. Wow! Great! Couple of weeks later a telegram from Paul ...”I told
you you could do it! Our spot won First Place in ... “ I honestly don’t
remember the name of the competition, but that little Rambler spot won
top spots in three or four major awards shows.
“Hmmph.” I thought, “That was easy. Maybe I’ll try making commercials
for a while.”
Visit Chuck at the Chuck Blore Company,
online at
www.chuckblore.com and send him
an e-mail at
bloregroup@aol.com
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