My dear friend and confidante,
Bill Shakespeare, told me, “The play’s the thing.” Ever since then I’ve
thought of my life in three acts. Act One: Growing up to become part of what
I thought was the most exciting world possible ... modern radio. Act Two:
Achieving even greater successes in the advertising industry. And now, Act
Three ... in process.
The heart of Act Three is Judy. She stole it ... the heart part. And I
couldn’t have loved it more. Although, about three years into our
relationship, something John Barrymore once said kept nagging at me, “So
many beautiful girls to kiss, and, so little time.” In a burst of
egomaniacal idiocy I decided I hadn’t kissed my share of those beautiful
girls, and I broke it off with Judy. The result of that was, I very soon
found myself making weekly visits to a psychologist in my relentless pursuit
of whatever-the-hell I was looking for..
On about my third week with the psychologist, we mutually discovered that
one of those beautiful girls I had kissed, more than once, was now his wife.
That made for a couple of embarrassing moments, a couple for him and a
couple for me. Then he said, “Well, I can put that aside if you can.” I told
him I thought I could and we proceeded.
Shortly after that, when I believe he had decided that my problems were all
pretty much female oriented, he asked me to describe my ideal woman.
Something that had amazed me during those early sessions was that he never
made any notes. He remembered every detail of everything that was said. But,
this time, he pulled out a notepad and made a list of what I described as
‘my ideal.’
Several weeks passed during which my ideal was never mentioned again.
Mostly, we talked about Judy. When he was certain that first list was no
longer top-of-mind, he asked me to describe Judy. I said, “Well, first,
she’s very pretty. Second, she’s a realist. That’s important because I am
such an airheaded dreamer. Third ...”
“Hold it, Chuck.” he said, as he reached for his notepad and began reading
the attributes of my ideal. “First. Very pretty. Second. A person who sees
life as it really is and doesn’t idealize it, a realist. Third ...”
“Whoa!” I felt like I’d been hit on the head with a champagne bottle, or
some other fine wine. “I’m outa here.”
Next thing I know I was pounding on the door to Judy’s apartment. “Jude.
Lemme in. I’ve been a real jerk. You’re my ideal. I love you!” She never
opened the door, but her response was loud and clear. “Get lost!” I called
her constantly, two or three times a day. Always the same response. “Go
away!”
Well, Jude had a very nice collection of beautiful crystal. Her favorites
seemed to be those she had told me were, Lalique. I remembered she had once
pointed out some Lalique wine glasses which she thought were particularly
graceful and delicate. I went shopping and once more, pounded on her door
... “Jude! I got the Lalique wine glasses you loved so much.” The door
opened and there she was, every bit as beautiful as she was those many weeks
ago. I showed her the glasses. She asked if I had brought any wine and I, of
course, hadn’t. “Idiot.” she said. “Come in.”
She poured some wine of her own into her new glasses and handed one to me
along with a look that said, ‘Don’t get too close.’ She sat on her couch,
looking incredibly attractive holding that lovely glass. I kneeled down in
front of her, put my glass down on the floor next to me. “Look,” I said,
“I’m kneeling. I’m begging you to marry me. I’ll do anything.” Crash! I had
pushed over the glass and it busted. Wine and little bits of Lalique crystal
all swimming around together, a wet testament to my klutziness. “Oh nuts.” I
was mortified. “This was supposed to be so romantic.” Jude got up and opened
the door saying, “Well, I’m not really into ‘romantic’ right now. Why don’t
you just leave?” So, I just left.
She was however, no longer refusing my phone calls. Those calls got longer
and longer and more and more friendly. But, each one ending with my saying
something like, “C’mon Jude. Let’s get married.” This was followed by a
‘click’ and a dial tone.
One day, there was no click , no dial tone. What I heard was Jude saying,
“Okay. But I’m keeping my apartment.”
“What? I said, “You mean, we’re not gonna live together?”
“Oh, we can live at your house, but I’m keeping my apartment, just in case.”
She was adamant. She kept that apartment for almost a year after we were
married, “Just in case.” But, I had learned my lesson well, some things are
a lot more precious than ... those other things.
Other scenes from Act Three:
I rewrote Mother Goose.
Wink Martindale and his TV production partner, Bill Hilliar, had purchased
the rights to a New York Times best selling childrens book, The New
Adventures of Mother Goose. The author had rewritten the old Mother Goose
rhymes to make them child-proof by removing all the violence. Things such as
‘Three Blind Mice’ became ‘Three Kind Mice.’ “She chopped off their tales
with a carving knife,” became, “She took out some cheese and she gave them a
slice.” Wink and Bill intended to make it into a TV Special for kids, only
to learn each of those Mother Goose rhymes is only ten to twenty seconds
long and if they were going to do a TV show, it would be really stretching
it to make it even a half hour.
The networks weren’t buying one-time-only half hour kid shows.
Wink and I had known each other in radio and he and Bill were aware of my
success with kids in commercials. We had a meeting. They asked if I had any
ideas. I suggested they make it into an hour long special. Protesters
complaining about the violence in Mother Goose and threatening to shut down
the publishing house unless they rewrite the stories, etc. They asked if I
would like to write and direct it. I could hardly wait. It turned out pretty
good too. And I got a Best Director Emmy Nomination.
Then, I rewrote The Bible. Well, just the first part, actually.
The Old Testament is brand new, and funny, and musical. What makes it so, is
Adam and Eve, Noah, Samson and Delilah, Moses, even God himself, are five
and six year old kids. The tales are retold with children’s logic, innocence
and honesty, making them irresistible. It’s a TV show called
*God And The Other
Kids.
I mentioned earlier about my friendship with Roger Miller. Roger had a trunk
full of songs he’d written that were never recorded. Over the years he’d
played most of them for me and I remembered several of them which really fit
into the idea of kids interpreting The Bible. For example, after God makes
Adam, God sings to him, one of Roger’s songs called , ‘You’re A Miracle.’
“I’m a Miracle?” asks Adam. “Yep, and I made you what you are today.”
answers God. And then, because he didn’t want Adam to be lonely, God made
Eve.
“Hi God.” says Eve. And God remarks, “Hey, I’m getting better at this. Boy,
Eve, you’re pretty. ”
“I’ll bet you say that to all the girls”
“Nope. You’re the first one. Go over and say hello to Adam”
Eve sees Adam and says, “Boy.’”
“Boy. Exactly.” says God. “And Adam, this is Eve. ”
“Boy!” says Adam.
“Eve is a girl” says God.
“Oh boy.” says Adam, “A girl.”
Etc.
So, Act Three continues and I’m spending most of my waking hours trying to
make God And The Other Kids happen. This is going to be my legacy.
And as for this book, as I always enjoy saying on a TV stage ....
That’s a wrap!
Thanks for listening.
* God and the Other Kids
© Copyright 1999
Chuck Blore Company and Registered with the Writers Guild 2000